Студенты должны взять достаточное количество обязательных и дополнительных программных модулей на всех уровнях, чтобы получить необходимое количество баллов. Пожалуйста, обратите внимание, что не все курсы доступны каждый год. Обязательные модули в программе HE1 являются основой для поучения степени и, следовательно, обязательны для всех студентов, которые проходят как один, так и два курса.
Другие требования:
- Студентам, поступающим на Театральные программы (Артистическая, Постановочная и Театральное искусство - один диплом) и берущих объем курсов от 200 до 240 баллов на уровнях HE2 / 3, будет необходимо брать не менее 120 баллов на HE3 и 80 на HE2.
- Студентам, как правило, необходимо взять минимум 20 баллов в каждой из групп модулей А, В, С и Е, а как минимум 40 баллов группе D.
- Как правило, студентам не разрешается брать больше 80 баллов из какой-либо одной группы модулей уровней HE2 и HE3.
LEVEL HE1: Compulsory modules
- Thinking through Theatre
- Stages and Staging
- Engaging Performance 1: Questioning Performance
- Engaging Performance 2: Performance Fieldwork
- Contemporary Professional Practices
LEVEL HE2
Group A - Critical Perspectives
- Arguments for Comedy
- Innovations in Modern Theatre
- State of the Nation Drama and Theatre
- Riots, Censorship and Offence
- Representing Women: Feminist Perspectives on Drama, Theatre and Performance
- Theatre and the American Dream
- Race, Ethnicity and Representation
- Asian Theatre Forms, Culture and Society
- Theatre and Interculturalism
- Community Drama and Theatre
Group B - Histories, Forms & Practices
- Radio Drama
- Mapping Modern Drama
- Postmodernism and Performance
- Music, Theatre and Performance
- Modernism, Performance and the Avant-Garde
- Contemporary British Drama
- Performance and Live Art
- Classical Greek and Roman Drama in Context
- Staging Gender: Shakespeare to Behn
Group C - Performance Laboratory
- In the Beginning was Sound
- New Media in Performance
- Early Modern Practice
- Acting, Thinking, Feeling
- Performance, Culture and the Poetics of the Everyday: Field Methods in Performance Studies
- Contemporary Devising Strategies
- Adaptation for the Theatre
- Installation Art
- Voice in Dramatic Performance
- Approaches to Directing
- Practical Approaches to Acting
- Writing in Performance
- Design and Scenography
Group D - Production
- Studio Theatre Production
- Site Specific Theatre Production
LEVEL HE3
Group A - Critical Perspectives
- Theatres of War
- Theatre and Drama for the Young
- Stages of Terror
- Theatre and Landscape
- Globalisation and Performance
- Performance, Cultural Politics and Ethics
- Theatre and the Idea of Nation
- Performance, Gender and Sexuality
- Staging Multicultural Britain: Performance in a Postcolonial Perspective
- The Non-Human in Performance
- The Theatre Image
- Theatre and Religion
- Leisure Industries, Escape and Experience
- Document and Eyewitness: Drama, Law and Performance
- Theatre on the Move
- Food and Performance
Group B - Histories, Forms & Practices
- Drama of the 60’s Counter-culture
- Race Writes Representation
- Performance and Popular Culture
- Shakespeare and Contemporary Performance
- Performing the Real
- Performance in an Age of Hip Hop
- Romani/Gypsy Cultures in Performance
- Theatre Criticism
- Performance and Passing
- Shakespeare on Screen
Group C - Performance Laboratory
- Advanced Theatre Practices
- Text Workshop
- Performance and Strategies of Memory
- Performing Failure
- Performing Non-Fiction: Biographical Performance
- Performing Comedy
- Performance, Urbanism and the Everyday
Group D - Production
- Group Production Project
- Group Production Project
- Applied Theatre/Community Performance: Perspectives and Methods
- Work Placement
Group E - Research & Independent Study
- Performance Practice as Research
- Playwriting
- Dialogue, Conversation and Performance
- Performance Documentation
- Dissertation
- Extended Dissertation
Ungrouped module
Пожалуйста, обратите внимание, что не все курсы доступны каждый год.
